The Guardian:

“ the biggest influence on the production comes from Chiara Stephenson’s impressive design, with the walls of the apparently happy family home made occasionally opaque under Richard Howell’s lighting design. When the walls rise and we see the inside of the house where secrets lie, ready to ambush the inhabitants, Nora’s downfall, rise and liberation become as compelling as they are inexorable. The final flourish, when she finally reclaims herself from her father’s and then her husband’s benevolent tyranny, is deeply moving.”

Bjork

Bjork Cornucopia, The Shed, NYC

Dezeen: Designers of Björk's Cornucopia show "ignored the concert rule book"

Vogue: Meet the Set Designer Behind Björk’s Latest Showstopping Performance

The Architectural Digest: Björk’s Set Designer Chiara Stephenson Shares How Cornucopia Came to Life at the Shed

Dazed Digital: Cornucopia Review

Taming of the Shrew

What’s On Stage: Let's Talk About Sets: Chiara Stephenson on The Taming of the Shrew

F*ck the Polar Bears

Arch Daily: Lights, Camera, Architecture!: Where Set Design and Architecture Cross Over